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Author Bios
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Abdou, Angie
Albert, Lyle Victor
Aleksiuk, Michael
André, F.B.
Arnold, Daniel
Baldwin, Beulah
Barbour, Douglas
Barclay, Byrna
Bartel, Rob
Belke, David
Bell, John
Berkhout, Nina
Bischoff, Theanna
Blodgett, E.D.
Blondin, George
Bowering, George
Boyden, Joseph
Brandt, Di
Brewster, Eva
Bryan, D.M.
Budde, Robert
Callaghan, Sean
Chan, Marty
Christenson, Jonathan
Cook, Meira
Craddock, Chris
Craft, Janis
Crate, Joan
Cutler, Laura
Darion, R. F.
Das, Satya
Davey, Frank
Davie, Michael
de Leeuw, Sarah
Denesiuk, Marci
Deverell, Rex
Dewinetz, Jason
Domokos, Alex
Dooley, Anne M.
Dorsey, Candas Jane
Dragland, Stan
Dubé, Paulette
Edwards, Catarina
Elter, Sheldon
Ferguson, Ted
Firth, John
Flahiff, Fred
Fletcher, Olivia
Fraser, Brad
Froese, Gayleen
Fuller, Colleen
Gibson, Diana
Godard, Barbara
Goto, Hiromi
Gowan, Elsie Park
Gunning, Margaret
Gutkin, Harry
Hahn, Medina
Haley, Susan Charlotte
Hecht, Armin
Hegerat, Betty Jane
Hellum, A.K.
Hill, Gerald
Howard, Barb
Hudson, Elizabeth
Hume, Stephen
Hunter, Don
Huser, Glen
Innes, Roy
Jesuino, Keving
Kent-McDonald, Deanna
Kidd, Monica
Kingscote, Barbara
Kiyooka, Roy Kenzie
Kostash, Myrna
Kreisel, Henry
Kroetsch, Robert
Ladha, Yasmin
Legault, Stephen
Lein, Beverly
Lemay, Shawna
Leslie, Rosella
Lemoine, Stewart
Lewis, A.C.
Lisac, Mark
Lorenz, Trish
Lysenko, Vera
MacEwan, Grant
Malcolm, Murray J.
Margoshes, Dave
Marlatt, Daphne
Massing, Conni
Matwychuk, Paul
Mayes, Malcolm
Mayr, Suzette
McLachlan, Elizabeth
McTavish, Don
Meese, Eugene
Meili, Diane
Metikosh, Anne
Morris, Miggs Wynne
Nelson, Thomas
Nothof, Anne
Neuman, Shirley
Nguyen, Ming Thanh
Nikiforuk, Andrew
North, Suzanne
Orrell, John
Paré, Arleen
Pepper-Smith, Robert
Pengilly, Gordon
Perreault and Vance, Jeanne and Sylvia
Pirot, Steve
Pollock, Sharon
Potvin, Lisa
Powe, Bruce Allen
Pratt, Larry
Quartermain, Meredith
Ranson, Rick
Reid, Monty
Rhodes, Shane
Ricou, Laurie
Ross, Michael
Ross, Morton L.
Rosta, Helen J.
Rowe, Rosemary
Rowe, Stan
Ryan, Garry
Sampson, Connie
Sando, Tom
Scobie, Stephen
Scott, William Neil
Sherman, Martin
Shorten, Lynda
Simone Bowen, Leah
Smith, H.J.
Smith, Steven Ross
Stewart, Jon
Stewart, Kay
Stobie, Margaret R.
Taylor, Margie
Thompson, Margaret
Toews, Rita
Tremblay, Joey
Trussler, Michael
Tumanov, Alla
Urquhart, Ian
van Herk, Aritha
Viswanathan, Padma
Waddell, Ian
Wah, Fred
Walters, Mary
Weaver, Andy
Webb, Phyllis
Wharton, Thomas
Wiebe, Rudy
Williamson, Janice
Wilson, Garrett
Woodcock, George
Wyman, D.M.
Zwicker, Heather
Zorn, Alice
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R. F. Darion

 

Cherylyn Stacey writes as R. F. Darion. Stacey is the author of several books for young adults, and has been a script analyst for television and film since 1990. She is the winner of the 1993 Television and Screen Institute competition, where she was awarded a Hollywood mentor. She has had many adventures in travelling, and has lived in the Peace River area, and on Vancouver Island, British Columbia. She is currently a resident of Edmonton, Alberta, where she was born and raised.

Tip of the Halo: The Post-Mortem
R.F. Darion discusses the writing of Tip of the Halo

The inspiration

I was driven to write Tip of the Halo after reading L.R. Wright's The Suspect, which I'd read as slowly as possible, suspecting that I'd never find another book like it.  When even L.R. Wright didn't write another like it, I set out to create a protagonist of my own as real and genuine as Wright's.

Writing anonymously

Partly because I was known under my own name for writing young adult novels, and partly because I had worked in the milieu featured in Tip of the Halo, I wrote not only under a pseudonym but anonymously as well.  This caused NeWest Press some unexpected difficulty because reviewers were reluctant to spend time on a project without a "human-interest angle."

Writing under a pseudonym

When I dropped the anonymity for the publication of my sequel, Beyond Spite, there was a lot more interest.  Sure enough, reviewers found a human-interest angle they liked, one which focused on my being a grandmother and my book being about a serial rapist.  Beyond Spite is, of course, about catching a serial rapist (and about sexual politics), but it's also about how a 45-year-old RCMP Staff Sergeant is changed by falling in love.

Research

Little research was required to write about murder in a tense work environment beset by job cut-backs and office politics; before writing about rape, however, I did a lot of reading on the subject. 

Since I come from a family where police stories have been told in abundance—sometimes using the actual wording of a police report or a judge's ruling—I had sufficient background information to write police procedurals with reasonable verisimilitude. I did, however, want to verify details so they would be correct for an Alberta RCMP detachment in 1995.  I dreaded calling around in search of a source of information because one thing my father and grandfather had made clear to me was that questions are almost always resented unless asked with great tact.  That was why, on my very first call, I immediately qualified my request for information by saying, "I just want to check out very basic details, like what you call your Staff Sergeant."  When the constable on the other end of the line laughed and said, "To his face, or behind his back?" I knew I'd hit it lucky beyond my wildest dreams.  And, indeed, everything I was told at our subsequent interview was so valuable that it was used in one way or another in the book. 

Choosing between Tip of the Halo and Beyond Spite

When asked, I recommend potential readers choose between novels in the Dan Laurenson Series on the basis of what kind of mystery they prefer.  Tip of the Halo is a classic puzzle mystery, the question at its crux being, "How could the victim have disappeared for so long in such a busy work environment?"  In contrast, Beyond Spite is primarily about police tactics in investigating serial rapists, thus it contains more action and jeopardy.  Of course, since Spite takes up where Halo leaves off, anyone planning to read both would do well to read them in the order they were written. Because I read mysteries for the fun of solving them, I've made a point of writing mysteries for readers to solve.  Instead of sprinkling red herrings about, I concentrated on making all the relevant facts available. 

 
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