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About this book
- FINALIST FOR THE 2017 GOVERNOR GENERAL'S LITERARY AWARDS - NONFICTION!
- FINALIST FOR THE RODERICK HAIG-BROWN REGIONAL PRIZE AT THE 2018 BC BOOK PRIZES!
Where It Hurts is a highly charged collection of personal essays, haunted by loss, evoking turbulent physical and emotional Canadian landscapes. Sarah de Leeuw’s creative non-fiction captures strange inconsistencies and aberrations of human behaviour, urging us to be observant and aware. The essays are wide in scope and expose what—and who—goes missing.
With staggering insight, Sarah de Leeuw reflects on missing geographies and people, including missing women, both those she has known and those whom she will never get to know. The writing is courageously focused, juxtaposing places and things that can be touched and known—emotionally, physically, psychologically—with what has become intangible, unnoticed, or actively ignored. Throughout these essays, de Leeuw's imagistic memories are layered with meaning, providing a survival guide for the present, including a survival that comes with the profound responsibility to bear witness.
“Sarah de Leeuw's Where It Hurts is thoughtful and brave, arresting and powerful. The worlds she details in these pages are little-seen, galvanic, and occasionally bleak, yet the reading experience is a transformative one."
“Sarah de Leeuw knows that a title is a promise and she delivers. Where it Hurts promises to be painful and honest without being tragic. These are not traditional essays, they are power-driven narratives documenting the lives of many women. Accusing the world of negligence, viciousness without articulating the accusation, it is there, under every black inked word and every laugh. We are not simply a reader but rather something of an accomplice. As we read, we document how many times we have told such a story and laughed. We don’t feel guilty, but we do want some kind of epiphany and transformation by the time we see the end of the collection. Powerful strategy and a great read.”
“Sarah de Leeuw spins the grit of life — trauma, missing women, the decay of a relationship — into moving, beautiful prose. Where it Hurts illuminates the tragedies, triumphs and poetry of marginalized northern landscapes.”
"Stark, unsentimental, but tender-hearted nonetheless: Sarah de Leeuw's essays prove that there is beauty in hardship, and moments of real warmth in a place known to be so cold."
“Where It Hurts is a mappa mundi, a map of geographical and spiritual space, and Sarah de Leeuw is an extraordinary cartographer, boldly taking the reader into known and unknown territory.”
“De Leeuw speaks passionately for the marginalized, whether it’s a First Nations woman forced to hitchhike the Highway of Tears, a homeless man watching his hotel room burn up, or a 15-year-old girl working a truck stop in an asbestos mining town. She draws us into the fabric of towns the guidebooks don’t recommend, showing us ourselves woven into it, linking a failing marriage to a toxic landfill. Or the serial killer Clifford Olson and his aftermath to the explosion of Mount St. Helens. We feel how much it matters that our threads cross.”
"Sarah de Leeuw is a triple threat. More accurately, her highly accomplished and incredibly varied body of work reveals that she’s an octuple or nonuple threat, but triple threat sounds better."
"The breadth of the insight and language here is unsurprising." full review
"In her poignant prose, those who suffer are honoured and memorialized."
"Brew a coffee. Sit by the window. Put on some sturdy shoes and know that 'Where it Hurts' is also where it heals." full review
"Like 'Soft Shoulder,' the rest of the essays in Where it Hurts are tremendously moving. Beyond merely inviting empathy, they invite us to consider the wounds we don’t know are there." full review
"The essays in Where It Hurts are deeply felt, original, and a moving requiem for lives extinguished too early to have left a trace."
"In Where It Hurts, de Leeuw skillfully reconciles her background as an academic—she’s an associate professor at the University of Northern British Columbia and a researcher into the issues that affect marginalized communities—and a poet. What she chooses to say is intimately tied and ultimately revealed by the way she chooses to say it." full review
"Perhaps the most productive way to read the essays about missing and murdered women and children is to see them as crucial conversation starters. Here, ideally yet uncomfortably, readers become responsible for what they witness; they must face these cruelties and find ways to move forward." full review