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About this book
- Winner of Best Cover Design at the 2020 Alberta Book Publishing Awards!
- Third Place in the Prose Category at the 2019 Alcuin Society Awards for Excellence in Book Design in Canada!
- All Lit Up Book Club Selection
In this provocative collection of short stories, Karen Hofmann creates characters who struggle to connect or disconnect from entanglements and relationships. With ironic accuracy and sensuous imagery, Hofmann considers a range of human foibles: a newlywed couple who transform into feral beasts during the hardships of a remote research expedition; backbiting faculty members who strip down during a post-conference BBQ; an heretical nun who explores the possibility of a new life by imaginatively excavating the fossils of BC's Burgess Shale; and an ambitious bylaw officer determined to make her mark on the city's streets.
In Echolocation, Karen Hofmann has found new ways to sound the depths of the human heart.
- Publisher Interview with All Lit Up for Summer Book Club
- All Lit Up Summer Book Club Discussion Questions
Excerpt from "The Burgess Shale"
And she has come to the mountains. She has not driven through these passes before. The sight of the slopes and peaks affects her: She is appalled. They are rough, rude, in extremis. Naked rock, they jut and thrust.
When she falls asleep, she dreams that she is driving a pass. She dreams that she must feel along the edge of the highway with her hand while she drives, to make sure that she does not go off the edge, down the side of the mountain.
In the morning, her car will not start. She finds a tow truck, a garage, goes exploring on foot.
It is autumn; the aspens of Banff have turned golden. She walks around the downtown, stopping at a wine store, a soap store that censers patchouli and lemongrass into the mountain air for a full block in every direction. She stops at a rock and mineral store selling fossils. She is tempted by a display case of iridescent ammolites. Fossilized nacre: the colours, red, gold, violet, peacock shimmy across the gems’ surfaces. But what would she do with them? She does not want to accumulate possessions, weight.
She sorts through all of the buckets in the rock store: She has infinite time on her hands. Fossils from the time before these mountains, for sale.
She walks along the Bow, admiring the brilliant and varied colours of the natural shrubbery. She admires the tumbling waterfall. She crosses a bridge and walks through an old cemetery, where elk are grazing unafraid. She sleeps well, after a dinner of pasta, in her hotel room.
The whorled shells, the world. Time all curled up in its shale strata: the day with its night curving back in reflection; the year with its seasons of burgeoning and decline. The river, the mountains, where once was equatorial sea. We do not visit the same river twice. We do not stand still.
"Part Darwinian, part Ovidian, these are waltzing and desirous tales of transformation, thrumming with verdant light reaching through forest canopies. Hofmann’s characters are strange creatures bumping against one another in the shadows, with cracking voices seeking to connect. And then, when you least expect it, mad leaps from the dark into the light."
"Echolocation is a magical and surreal examination of humanity at the edges of experience."
"...lived up to our high expectations."
"Dark stories weave together beauty and cruelty."